Henry and Leigh Bienen School of Music

Research Output

Research Output per year 1976 2002 2006 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2020 2022 2023 2024

• 239 Article
• 115 Chapter
• 57 Other contribution
• 36 Book
• 126 More
  • 35 Review article
  • 25 Editorial
  • 15 Comment/debate
  • 13 Short survey
  • 12 Foreword/postscript
  • 7 Paper
  • 7 Composition
  • 6 Software
  • 4 Conference contribution
  • 1 Letter
  • 1 Performance

Research Output per year

Research Output per year

Search results

• 2011

  Review of Kyle Gann's Music Downtown and Tim Lawrence's Hold On To Your Dreams: Arthur Russell and the Downtonw Music Scene, 1973-1992: Journal of the Society for American Music

  Dohoney, R. W., 2011

  Research output: Other contribution
• 2010

  "Communication in Eigteenth-Century Music, ed. by Danuta Mirka and Kofi Agawau": Eighteenth Century Music

  Gjerdingen, R. O., 2010

  Research output: Other contribution
• 2008

  Review of Theodor Dumitrescu, The Early Tudor Court and International Musical Relations: Renaissance Quarterly

  Austern, L. P., 2008, Ashgate Publishing Company.

  Research output: Other contribution
• 2007

  Review of Amanda Eubanks Winkler, O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage: Renaissance Quarterly

  Austern, L. P., 2007, Indiana University Press.

  Research output: Other contribution
• 2006

  Review of Anthony Boden, Thoms Tomkins: The Last Elizabethan: Renaissance Quarterly

  Austern, L. P., 2006, Ashgate Publishing Company.

  Research output: Other contribution
• 2005

  Eleventh Biennial Conference on Baroque Music: Eighteenth-Century Music

  Davies, D. E., 2005

  Research output: Other contribution

• Mozart und Pädagogik in den USA: Mozart and Nordamerika: A Global View of Mozart

  Bauman, T. A. & Stenzl, J. (Editor), 2005, Salzburg, Austria : Land Salzburg, Generalsekretariat.

  Research output: Other contribution
• 2004

  "Opera": Encyclopedia of Chicago History

  Bauman, T. A. & Grossman, J. M. (Editor), 2004, Chicago : University of Chicago Press.

  Research output: Other contribution

• "The Cognition of Basic Musical Structures by David Temperley": Music Theory Spectrum

  Gjerdingen, R. O., 2004

  Research output: Other contribution
• 2003

  "Categorical, continuous, and linguistic aspects of musical pitch space": European Society for the Cognitive Sciences of Music

  Ashley, R. D., 2003, Hanover

  Research output: Other contribution

• Review of Rebecca Herissone, Music Theory in Seventeenth-Century England: Renaissance Quarterly

  Austern, L. P., 2003, Oxford University Press.

  Research output: Other contribution

• "What to Listen for in Rock: A Stylistic Analysis by Ken Stephenson": Music Perception

  Gjerdingen, R. O., 2003

  Research output: Other contribution
• 2002

  Alan Rawsthorne: Portrait of a Composer, by John McCabe: Notes

  Davies, D. E., 2002

  Research output: Other contribution
• 2000

  "Enterprise and Identity: Black Music, Theater, and Print Culture in Turn-of-the-Century Chicago": Music and Print Culture

  Bauman, T. A. & Van Orden, K. (Editor), 2000

  Research output: Other contribution
• 1999

  "Jordan, Joe,": International Dictionary of Black Composers

  Bauman, T. A. & Floyd Jr., S. A. (Editor), 1999, Chicago and London : Fitzroy Dearborn.

  Research output: Other contribution

• Review of John Harley, William Byrd: Gentleman of the Chapel Royal: Renaissance Quarterly

  Austern, L. P., 1999, Scolar Press.

  Research output: Other contribution

• Review of Penelope Gouk, Music, Science and Natural Magic in Seventeenth-Century England: Music and Letters

  Austern, L. P., 1999, Yale University Press.

  Research output: Other contribution
• 1997

  Review of Diane Kelsey McColley, Poetry and Music in Seventeenth-Century England: Modern Philology

  Austern, L. P., 1997, Cambridge University Press.

  Research output: Other contribution
• 1996

  Maynard Solomon, Mozart: A Life: Opera Quarterly

  Bauman, T. A., 1996

  Research output: Other contribution

• Review of Peter Walls, Music in the English Courtly Masque, 1604-1640: Renaissance Quarterly

  Austern, L. P., 1996, Claredon Press.

  Research output: Other contribution
• 1995

  "Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents by Daniel Harrison": Integral

  Gjerdingen, R. O., 1995

  Research output: Other contribution

• Review of Craig A. Monson, Disembodied Voices: Music and Culture in an Early Modern Italian Convent: The American Historical Review

  Austern, L. P., 1995, University of California Press.

  Research output: Other contribution
• 1994

  Apparent Motion in Music? Music Perception

  Gjerdingen, R. O., Todd, P. (Editor) & Griffith, N. (Editor), 1994

  Research output: Other contribution

  55 Scopus citations

• Paolo Gallarati, La forza delle parole: Mozart drammaturgo and Nicholas Till, Mozart and the Enlightenment: MLA Notes

  Bauman, T. A., 1994

  Research output: Other contribution

• The Analysis and Cognition of Melodic Complexity: The Implication-Realization Model by Eugene Narmour": Notes

  Gjerdingen, R. O., 1994

  Research output: Other contribution
• 1993

  Smooth' Rhythms as Probes of Entrainment: Music Perception

  Gjerdingen, R. O., 1993

  Research output: Other contribution

  12 Scopus citations
• 1992

  "Cognitive Foundations of Musical Pitch by Carol L.Krumhansl": Music Perception

  Gjerdingen, R. O., 1992

  Research output: Other contribution

• H.C. Robbins Landon, 1791: Mozart's Last Year and Mozart: The Golden Years, 1781-1791: MLA Notes

  Bauman, T. A., 1992

  Research output: Other contribution

• Ivan Nagel, Autonomie und Gnade: Cambridge Opera Journal

  Bauman, T. A., 1992

  Research output: Other contribution

• The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model by Eugene Narmour": Notes

  Gjerdingen, R. O., 1992

  Research output: Other contribution
• 1991

  Jean-Pierre Marty, The Tempo Indications of Mozart: Performance Practice Review

  Bauman, T. A., 1991

  Research output: Other contribution

• Review of Bryan N.S. Gooch and David Thatcher, A Shakespeare Music Catalogue

  Austern, L. P., 1991, Oxford University Press.

  Research output: Other contribution
• 1990

  Review of Francescantonio Valloti, Gratias Agimus for Tenor Solo and Violoncello Obbligato with Basso Continuo: Early Cello Series

  Austern, L. P., Pyron, N. (Editor) & Lawrence, A. (Editor), 1990, Grancino I International LTd.

  Research output: Other contribution
• 1988

  Review of Winifred Maynard, Elizabeth Poetry and its Music: Modern Philology

  Austern, L. P., 1988, Oxford Clarendon Press.

  Research output: Other contribution
• 1987

  "Current Research in Eighteenth-Century Theatrical Music": Studies on Voltaire and the Eighteenth Century

  Bauman, T. A., 1987

  Research output: Other contribution

• David Charlton, Grétry and Growth of Opéra-comique: Eighteenth Century Studies

  Bauman, T. A., 1987

  Research output: Other contribution

• W. Daniel Wilson, Humanität und Kreuzzugsideologie um 1780: Die "Türkenoper" im 18. Jahrhundert und das Rettungsmotiv in Wielands "Oberon", Lessings "Nathan" und Goethes "Iphigenie": Goethe Yearbook

  Bauman, T. A., 1987

  Research output: Other contribution
• 1985

  Review of G.F. Handel, Ten Solo Cantatas for Soprano and Basso Continuo

  Austern, L. P. & Jones, A. V. (Editor), 1985

  Research output: Other contribution

• Review of Peter Anthony Motteux, The Island Princess: British Library Add. MS 15318, A Semi-Opera, introduction by Curtis A. Price and Robert D. Hume: Music for London Entertainment 1660-1800

  Austern, L. P., 1985, Tunbridge Wells: Richard Macnutt.

  Research output: Other contribution

• The Young Lovers in Falstaff: 19th Century Music

  Bauman, T. A., 1985

  Research output: Other contribution

  2 Scopus citations
• 1984

  Choosing a Music School: The Instrumentalist

  Dobroski, B. J., 1984

  Research output: Other contribution

• Pass the Popcorn--An Interview with John Williams: The Instrumentalist

  Dobroski, B. J. & Green, C., 1984

  Research output: Other contribution

• Review of Henry Purcell et al., Don Quixote: The Music in the Three Plays of Thomas Durfey, introduction by Curtis Price: Music for London Entertainment 1660-1800

  Austern, L. P., 1984, Tunbridge Wells.

  Research output: Other contribution

• Review of Joan Swanekamp, com., English Ayres: A Selectively Annotated Bibliography and Discography

  Austern, L. P., 1984, Westport, CT : Greenwood Press.

  Research output: Other contribution

• Review of John Blow, Anthems II: Anthems with Orchestra

  Austern, L. P., 1984, London : Stainer and Bell.

  Research output: Other contribution

• Review of John Taverner, Ritual Music and Secular Songs

  Austern, L. P. & Benham, H. (Editor), 1984, London: Stainer and Bell.

  Research output: Other contribution
• 1980

  Rolle, Johann, Heinrich: The New Grove Dictionary of Music and Musicians

  Bauman, T. A., 1980, London

  Research output: Other contribution

• William J. McGrath, Dionysian Art and Populist Politics in Austria: 19th-Century Music

  Bauman, T. A., 1980

  Research output: Other contribution
• 1979

  Gloria Flaherty, Opera in the Development of German Critical Thought: Eighteenth Century Studies

  Bauman, T. A., 1979

  Research output: Other contribution

• The Classical Period: The Britannica Book of Music

  Bauman, T. A., 1979, New York

  Research output: Other contribution

  7 Scopus citations