• 0 Citations
20122016
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Personal profile

Research Interests

The history and theory of cinema and related media, with a focus on movie technologies, new media, and spectatorship.

Education/Academic qualification

Film Studies and Philosophy, BA, Columbia University

Cinema and Media Studies, PhD, The University of Chicago

Fingerprint Fingerprint is based on mining the text of the experts' scientific documents to create an index of weighted terms, which defines the key subjects of each individual researcher.

  • 1 Similar Profiles
Spectatorship Arts & Humanities
Cinema Arts & Humanities
Conceptualization Arts & Humanities
History Arts & Humanities
Movies Arts & Humanities
New Media Arts & Humanities
Visual Effects Arts & Humanities
Hollywood Arts & Humanities

Research Output 2012 2016

Classical Hollywood, 1928-1946: Special/Visual Effects

Rogers, A. R., 2016, Editing and Special/Visual Effects . Keil, C. & Whissel, K. (eds.). p. 68-77 10 p. (Behind the Silver Screen Series).

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

Classical Hollywood, 1928-1946: Special/visual effects

Rogers, A., Jan 1 2016, Editing and Special/Visual Effects. Rutgers University Press, p. 68-77 10 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Visual Effects
Hollywood

Die Konstruktion eines «synchronen Feldes». Benjamin Schlangers Experimente mit der Gestaltung von Leinwänden und Kinosälen in den 1930er-Jahren

Rogers, A. R. & Kirsten, G. (Translator), 2016, In : montage AV. 25, 2, p. 167-180 14 p.

Research output: Contribution to journalArticle

Scaling Down: Cinerama on Blu-ray

Rogers, A. R., 2016, Screens. Chateau, D. & Moure, J. (eds.). Amsterdam University Press, p. 82-96 15 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Cinematic Appeals: The Experience of New Movie Technologies

Rogers, A. R., 2013, Columbia University Press. 352 p. (Film and Culture Series)

Research output: Book/ReportBook