Krista Angelique Thompson

  • 70 Citations
1992 …2018
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Research Output 1992 2018

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Chapter
2018

Castleton Gardens, 1908

Thompson, K. A., 2018, Victorian Jamaica. Barringer, T. (ed.). Duke University Press Books, p. 115

Research output: Chapter in Book/Report/Conference proceedingChapter

2017

The Black Body as Photographic Image: Video Light in Postcolonial Jamaica

Thompson, K. A., 2017, Migrating the Black Body: The African Diaspora and Visual Culture. Raiford, L. & Raphael, H. (eds.). University of Washington Press

Research output: Chapter in Book/Report/Conference proceedingChapter

2016

'Our Good Democracy’: The Social Practice of Carnival and Junkanoo Aesthetics

Thompson, K. A., 2016, EN MAS': Carnival and Performance Art of the Caribbean. Tancons, C. & Thompson, K. (eds.). Independent Curators International and Contemporary Art Center, New Orleans

Research output: Chapter in Book/Report/Conference proceedingChapter

Democracy
Social Practice
Exhibition Catalogue
Aesthetics
Carnival
2014

I am Rendered Speechless by your Idea of Beauty: The Picturesque in History and Art in the Postcolony

Thompson, K. A., 2014, Empires of Vision: A Reader. Jay, M. & Ramaswamy, S. (eds.). Durham and London: Duke University Press

Research output: Chapter in Book/Report/Conference proceedingChapter

2013

Destroying While Preserving Junkanoo: The Junkanoo Museum in the Bahamas

Thompson, K. A., 2013, Plantation to Nation: Caribbean Museums and National Identity . Cummins, A., Farmer, K. & Russell, R. (eds.). Champaign: University of Illinois Press, p. 241-244 4 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Postcolonial Insecurity: John Beadle's Iron Silhouettes

Thompson, K. A., 2013, The John Beadle Project: Personal Space. . .Secure Space. Nassau, Bahamas: The National Art Gallery of the Bahamas, p. 2-5

Research output: Chapter in Book/Report/Conference proceedingChapter

Iron
Silhouette

‘Negro Sunshine’: Figuring Blackness in the Neon Art of Glenn Ligon

Thompson, K. A., 2013, lack is, Black Ain’t. Walker, H. (ed.). Chicago: The Renaissance Society at the University of Chicago, p. 13-25 13 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2012

How to Install Art as a Caribbeanist

Thompson, K. A., Aug 20 2012, Curating the Caribbean. Cummins, A., Thompson, A., Lapp, A. & Bailey, D. A. (eds.). Berlin: The Green Box, p. 97-112

Research output: Chapter in Book/Report/Conference proceedingChapter

On Masking and Performance Art in the Postcolonial Caribbean

Thompson, K. & Fuentes, E. (ed.), 2012, Caribbean: Art at the Crossroads of the World. Cullen, D. & Fuentes, E. (eds.). New Haven: Yale University, p. 284-303 20 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2010

Beyond the Tropical Veneer: Sunscreen and the Aesthetics of Leisure

Thompson, K. A., 2010, NN (Working Title). Martsschnig, E. (ed.). Graz: Foorum Stadtpark

Research output: Chapter in Book/Report/Conference proceedingChapter

2006

The Junkanoo Museum in the Bahamas

Thompson, K. A., 2006, Museum Frictions: Public Cultures/Global Transformations. Karp, I., Kratz, C., Szwaja, L. & Ybarra-Frausto, T. (eds.). Durham, NC: Duke University Press, p. 500-503

Research output: Chapter in Book/Report/Conference proceedingChapter

2003

Passage through the Islands of Shallow Water: An Exploration of Migration in Contemporary Bahamian Art

Thompson, K. A., 2003, Marginal Migrations: Cultural Circulation in the Caribbean. Puri, S. (ed.). Macmillan Press, p. 109-137

Research output: Chapter in Book/Report/Conference proceedingChapter