Stephen F Eisenman

  • 56 Citations
1979 …2018
If you made any changes in Pure, your changes will be visible here soon.

Research Output 1979 2018

Filter
Chapter
2014

The Political Logic of Radical Art History in California: 1974-1985: A Memoir

Eisenman, S. F., 2014, Re-New Art History. Carter, W., Haran, B. & Schwartz, F. J. (eds.). New York: Art Books Publishing Ltd, p. 44-52

Research output: Chapter in Book/Report/Conference proceedingChapter

2013

The Harmony of Labor: Camille Pissarro’s Apple Pickers: The Richard R Brettell Lecture Series

Eisenman, S. F., 2013, Impressionism and Post-Impressionism in the Dallas Museum of Art: The Richard R Brettell Lecture Series. MacDonald, H. (ed.). New Haven and London: Yale University Press, p. 97-107

Research output: Chapter in Book/Report/Conference proceedingChapter

2012
1 Citation (Scopus)

Waterboarding: Political and sacred torture

Eisenman, S. F., Dec 1 2012, Speaking about Torture. Fordham University Press, p. 129-139 11 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

torture

Water-boarding -- A Torture both Intimate and Sacred

Eisenman, S. F., 2012, Speaking about Torture. Carlson, J. A. & Weber, E. (eds.). New York and London: Fordham and Oxford University Press, p. 129-140

Research output: Chapter in Book/Report/Conference proceedingChapter

2007

Death and Tourism – Claude Monet's Paintings of Venice

Eisenman, S. F., 2007, Art, Value, Politics. Harris, J. (ed.). Liverpool: Liverpool University Press, p. 123-145

Research output: Chapter in Book/Report/Conference proceedingChapter

Monet, Gauguin, y los origins del imperialismo

Eisenman, S. F., 2007, Gauguin y los Origines del Symbolismo. Madrid: Museo Thyssen-Bornemisza y Caja Madrid Fundacion, p. 113-129

Research output: Chapter in Book/Report/Conference proceedingChapter

The Intransigent Artist or How the Impressionists Got Their Name

Eisenman, S. F., 2007, Reprinted in Impressionism and Post-Impressionism: An Anthology. Lewis, M. (ed.). Berkeley: University of California Press, p. 149-161 13 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2005

Impressionst Paintings in the Bührle Collection

Eisenman, S. F., 2005, The Catalogue of the Collection of the Buhrle Foundation, Zurich. Milan: Linea d'Ombra Libri, Vol. 2.

Research output: Chapter in Book/Report/Conference proceedingChapter

2004

Pissarro and the Seine

Eisenman, S. F., 2004, Monet La Senna Le Ninfee: Il grande fiume e il nuovo secolo. Museu di Santa Giulia

Research output: Chapter in Book/Report/Conference proceedingChapter

2003

Monet and the Autonomy of Painting

Eisenman, S. F., 2003, Monet – Atti del convegno. Linea d'Ombra Libri, p. 139-145

Research output: Chapter in Book/Report/Conference proceedingChapter

2002

Turismo e morte: i dipinti veneziani di Claude Monet

Eisenman, S. F., 2002, Monet, i luogi della pittura. Treviso and Venezia: Linea d'Ombra, p. 181-192

Research output: Chapter in Book/Report/Conference proceedingChapter

William Morris: Syr Pereceyvelle of Gales

Eisenman, S. F., 2002, The World from Here, Los Angeles: The UCLA Hammer Museum of Art. p. 131-134

Research output: Chapter in Book/Report/Conference proceedingChapter

2000

Gauguin, Non-Identiry and Te Nave Nave Fenua

Eisenman, S. F., 2000, Self and History. D'Souza, A. (ed.). London and New York: Thames and Hudson

Research output: Chapter in Book/Report/Conference proceedingChapter

Gericault's Raft of the Medusa

Eisenman, S. F., 2000, The Time of Revolutions. Madrid: Plauwerg

Research output: Chapter in Book/Report/Conference proceedingChapter

1992

Between the River and the Sea: Redon, Romantic Anti-Capitalism and the Origin of the Noirs

Eisenman, S. F., 1992, L'Art et les revolutions: XXVIIe Congres International d'Histoire de l'Art. Strasbourg, p. 223-238

Research output: Chapter in Book/Report/Conference proceedingChapter

The Intransigent Artist or How the Impressionists Got Their Name

Eisenman, S. F., 1992, Reprinted in Art in Modern Culture: An Anthology of Critical Texts. Frascina, F. & Harris, J. (eds.). New York: Westview Press, p. 189-197 9 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

1986

The Intransigent Artist or How the Impressionists Got Their Name

Eisenman, S. F., 1986, The New Painting: Impressionism. Moffett, C. S. (ed.). San Francisco and Washington, DC

Research output: Chapter in Book/Report/Conference proceedingChapter

1979

Anuszkiewicz: A Dialectic of Color

Eisenman, S. F., 1979, The Prints of Richard Anuszkiewicz. Brooklyn, New York, and Williamstown, Massachussetts, 1979

Research output: Chapter in Book/Report/Conference proceedingChapter

Location, Documentation and the Literal: American Drawings of the 1960's

Eisenman, S. F., 1979, Drawings, Documents, Collages. Williamstown

Research output: Chapter in Book/Report/Conference proceedingChapter