An interview with David Henry Hwang

Harvey Young

Research output: Contribution to journalReview articlepeer-review

Abstract

Since winning wide acclaim and a Tony Award for his play M. Butterfly in 1988, David Henry Hwang (Fig. 1) has remained one of the brightest luminaries in American theatre. A playwright, screenwriter, and librettist, he regularly tells stories that center on complex characters and reveal their experiences with Western imperialism, American racism, and cross-generational family differences. His works include the plays FOB, Golden Child, Yellow Face, Chinglish, and Kung Fu; the revised book for the 2002 Broadway revival of the Rodgers and Hammerstein's musical Flower Drum Song; and, most recently, episodes of the television series The Affair. In this interview, Hwang reflects on the longevity of East West Players, comments on today's culture wars, and shares his perspective on the current state of Asian American theatre.

Original languageEnglish (US)
Pages (from-to)232-237
Number of pages6
JournalTheatre Survey
Volume57
Issue number2
DOIs
StatePublished - Jan 1 2016

ASJC Scopus subject areas

  • Visual Arts and Performing Arts

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