TY - JOUR
T1 - An interview with David Henry Hwang
AU - Young, Harvey
PY - 2016/1/1
Y1 - 2016/1/1
N2 - Since winning wide acclaim and a Tony Award for his play M. Butterfly in 1988, David Henry Hwang (Fig. 1) has remained one of the brightest luminaries in American theatre. A playwright, screenwriter, and librettist, he regularly tells stories that center on complex characters and reveal their experiences with Western imperialism, American racism, and cross-generational family differences. His works include the plays FOB, Golden Child, Yellow Face, Chinglish, and Kung Fu; the revised book for the 2002 Broadway revival of the Rodgers and Hammerstein's musical Flower Drum Song; and, most recently, episodes of the television series The Affair. In this interview, Hwang reflects on the longevity of East West Players, comments on today's culture wars, and shares his perspective on the current state of Asian American theatre.
AB - Since winning wide acclaim and a Tony Award for his play M. Butterfly in 1988, David Henry Hwang (Fig. 1) has remained one of the brightest luminaries in American theatre. A playwright, screenwriter, and librettist, he regularly tells stories that center on complex characters and reveal their experiences with Western imperialism, American racism, and cross-generational family differences. His works include the plays FOB, Golden Child, Yellow Face, Chinglish, and Kung Fu; the revised book for the 2002 Broadway revival of the Rodgers and Hammerstein's musical Flower Drum Song; and, most recently, episodes of the television series The Affair. In this interview, Hwang reflects on the longevity of East West Players, comments on today's culture wars, and shares his perspective on the current state of Asian American theatre.
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U2 - 10.1017/S0040557416000077
DO - 10.1017/S0040557416000077
M3 - Review article
AN - SCOPUS:85014587074
SN - 0040-5574
VL - 57
SP - 232
EP - 237
JO - Theatre Survey
JF - Theatre Survey
IS - 2
ER -