Analog Turns Digital: Hip-Hop, Technology, and the Maintenance of Racial Authenticity

Rayvon Fouché*

*Corresponding author for this work

Research output: Chapter in Book/Report/Conference proceedingChapter

5 Scopus citations

Abstract

The history of the black diaspora is full with examples of the ways music has enabled various black cultural communities to cope with racial oppression. This article explains how sound-producing technology, in the form of vinyl records and turntables, functions within communities that endow these devices with cultural value. Hip-hop is used to center the discussion on ways in which turntables and vinyl records are attributed a racial authenticity not seen in other music communities where DJs exist. It begins with the premise that the hip-hop culture, similar to other music cultures, is a deeply technological way of life. Furthermore, it explores hip-hop and the emergence of digital vinyl systems and discusses hip-hop and race in the digital age. Finally, it suggests that the intersections of hiphop, technology, and sound could help understand the ways the materiality of sound is embedded and circulated within society.

Original languageEnglish (US)
Title of host publicationThe Oxford Handbook of Sound Studies
PublisherOxford University Press
ISBN (Electronic)9780199940691
ISBN (Print)9780195388947
DOIs
StatePublished - Nov 21 2012

Keywords

  • Cultural value
  • Digital age
  • Hip-hop
  • Music communities
  • Sound
  • Vinyl records

ASJC Scopus subject areas

  • General Arts and Humanities

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