At the crossroads of art and science: Neuroaesthetics begins to come into its own

Jose L. Contreras-Vidal; Jeannie Kever; Dario Robleto; James Rosengren

doi:10.1162/leon_a_01474

At the crossroads of art and science: Neuroaesthetics begins to come into its own

Jose L. Contreras-Vidal, Jeannie Kever, Dario Robleto, James Rosengren

McCormick Office of Undergraduate Engineering

Research output: Contribution to journal › Comment/debate › peer-review

Original language	English (US)
Pages (from-to)	103-106
Number of pages	4
Journal	Leonardo
Volume	52
Issue number	1
DOIs	https://doi.org/10.1162/leon_a_01474
State	Published - Feb 1 2019

ASJC Scopus subject areas

Visual Arts and Performing Arts
Engineering (miscellaneous)
Music
Computer Science Applications

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10.1162/leon_a_01474

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title = "At the crossroads of art and science: Neuroaesthetics begins to come into its own",

author = "Contreras-Vidal, {Jose L.} and Jeannie Kever and Dario Robleto and James Rosengren",

note = "Funding Information: Understanding creativity and innovation is becoming a national priority in the United States. There is a growing wave of funding programs to support interdisciplinary projects related to art and science, engineering, humanities and medicine frontier collaborations, from the National Academies Keck Futures Initiative—a project of the National Academies of Sciences, Engineering and Medicine—to the National Science Foundation, and more recently the Institute of Museum and Library Services, to name a few. Perhaps a new period of unified knowledge—in which art and science become one again—will lead to a new Renaissance in the 21st century. Funding Information: This work was supported in part by the National Science Founda - tion Award #IIS 1631608, The Office of Naval Research Global Award #N62909-16-2065, The Cullen College of Engineering, The College of the Arts, the Blaffer Art Museum and the Division of Research at the University of Houston. The authors wish to acknowledge the participation of Miriam Phillips and all participants at the 2016 International Conference on Mobile Brain-Body Imaging and the Neuroscience of Art, Innovation and Creativity. Funding Information: This work was supported in part by the National Science Foundation Award #IIS 1631608, The Office of Naval Research Global Award #N62909-16-2065, The Cullen College of Engineering, The College of the Arts, the Blaffer Art Museum and the Division of Research at the University of Houston. The authors wish to acknowledge the participation of Miriam Phillips and all participants at the 2016 International Conference on Mobile Brain-Body Imaging and the Neuroscience of Art, Innovation and Creativity. Funding Information: opportunities at the intersection of art and science, and set goals for the field{\textquoteright}s future. A selected group of 30 university graduate students and postdoctoral fellows attended, as well, covered by a grant from the National Science Foundation.",

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doi = "10.1162/leon_a_01474",

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AU - Contreras-Vidal, Jose L.

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AU - Robleto, Dario

AU - Rosengren, James

N1 - Funding Information: Understanding creativity and innovation is becoming a national priority in the United States. There is a growing wave of funding programs to support interdisciplinary projects related to art and science, engineering, humanities and medicine frontier collaborations, from the National Academies Keck Futures Initiative—a project of the National Academies of Sciences, Engineering and Medicine—to the National Science Foundation, and more recently the Institute of Museum and Library Services, to name a few. Perhaps a new period of unified knowledge—in which art and science become one again—will lead to a new Renaissance in the 21st century. Funding Information: This work was supported in part by the National Science Founda - tion Award #IIS 1631608, The Office of Naval Research Global Award #N62909-16-2065, The Cullen College of Engineering, The College of the Arts, the Blaffer Art Museum and the Division of Research at the University of Houston. The authors wish to acknowledge the participation of Miriam Phillips and all participants at the 2016 International Conference on Mobile Brain-Body Imaging and the Neuroscience of Art, Innovation and Creativity. Funding Information: This work was supported in part by the National Science Foundation Award #IIS 1631608, The Office of Naval Research Global Award #N62909-16-2065, The Cullen College of Engineering, The College of the Arts, the Blaffer Art Museum and the Division of Research at the University of Houston. The authors wish to acknowledge the participation of Miriam Phillips and all participants at the 2016 International Conference on Mobile Brain-Body Imaging and the Neuroscience of Art, Innovation and Creativity. Funding Information: opportunities at the intersection of art and science, and set goals for the field’s future. A selected group of 30 university graduate students and postdoctoral fellows attended, as well, covered by a grant from the National Science Foundation.

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At the crossroads of art and science: Neuroaesthetics begins to come into its own

ASJC Scopus subject areas

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