Avant-garde and ideology

Nina Gur'Ianova*

*Corresponding author for this work

Research output: Contribution to journalArticle

1 Scopus citations

Abstract

In this paper the role of "ideology" in the Russian Avant-Garde is examined in its historical development. Within this period two phases can be distinguished, running parallel to socio-political events. The author demonstrates the difference between the two by contrasting two key texts, Shklovskii's 'Art as Device' and its central concept of "ostranenie", and Eisenstein's discussion of the principle of "montage of attractions".

Original languageEnglish (US)
Pages (from-to)365-402
Number of pages38
JournalRussian Literature
Volume67
Issue number3-4
DOIs
StatePublished - Apr 1 2010

Keywords

  • Avant-Garde
  • Eisenstein
  • Ideology
  • Shklovskii

ASJC Scopus subject areas

  • Literature and Literary Theory

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