Avant-garde and ideology

Nina Gur'Ianova

doi:10.1016/j.ruslit.2010.10.006

Avant-garde and ideology

Nina Gur'Ianova^*

^*Corresponding author for this work

Slavic Languages and Literature

Research output: Contribution to journal › Article › peer-review

2 Scopus citations

Abstract

In this paper the role of "ideology" in the Russian Avant-Garde is examined in its historical development. Within this period two phases can be distinguished, running parallel to socio-political events. The author demonstrates the difference between the two by contrasting two key texts, Shklovskii's 'Art as Device' and its central concept of "ostranenie", and Eisenstein's discussion of the principle of "montage of attractions".

Original language	English (US)
Pages (from-to)	365-402
Number of pages	38
Journal	Russian Literature
Volume	67
Issue number	3-4
DOIs	https://doi.org/10.1016/j.ruslit.2010.10.006
State	Published - Apr 2010

Keywords

Avant-Garde
Eisenstein
Ideology
Shklovskii

ASJC Scopus subject areas

Literature and Literary Theory

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10.1016/j.ruslit.2010.10.006

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AB - In this paper the role of "ideology" in the Russian Avant-Garde is examined in its historical development. Within this period two phases can be distinguished, running parallel to socio-political events. The author demonstrates the difference between the two by contrasting two key texts, Shklovskii's 'Art as Device' and its central concept of "ostranenie", and Eisenstein's discussion of the principle of "montage of attractions".

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KW - Eisenstein

KW - Ideology

KW - Shklovskii

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JF - Russian Literature

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ER -

Avant-garde and ideology

Abstract

Keywords

ASJC Scopus subject areas

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