Between rocks and hard places: The interstitial mode of production in exilic cinema

Hamid Naficy*

*Corresponding author for this work

Research output: Chapter in Book/Report/Conference proceedingChapter

5 Scopus citations

Abstract

A defining characteristic of what I have called the “accented style�? of exilic and diasporic cinema is the mode of production, distribution, and consumption of this cinema (referred to as “mode of production�? for convenience). This mode of film production takes a number of forms; chief among them the interstitial and collective types. In this chapter I will deal with the interstitial category alone.

Original languageEnglish (US)
Title of host publicationHome, Exile, Homeland
Subtitle of host publicationFilm, Media, and the Politics of Place
PublisherTaylor and Francis
Pages125-147
Number of pages23
ISBN (Electronic)9781135216399
ISBN (Print)0415919460, 9780415919470
DOIs
StatePublished - Jan 1 2013

ASJC Scopus subject areas

  • Arts and Humanities(all)
  • Social Sciences(all)

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