Abstract
A defining characteristic of what I have called the “accented style�? of exilic and diasporic cinema is the mode of production, distribution, and consumption of this cinema (referred to as “mode of production�? for convenience). This mode of film production takes a number of forms; chief among them the interstitial and collective types. In this chapter I will deal with the interstitial category alone.
| Original language | English (US) |
|---|---|
| Title of host publication | Home, Exile, Homeland |
| Subtitle of host publication | Film, Media, and the Politics of Place |
| Publisher | Taylor and Francis |
| Pages | 125-147 |
| Number of pages | 23 |
| ISBN (Electronic) | 9781135216399 |
| ISBN (Print) | 0415919460, 9780415919470 |
| DOIs | |
| State | Published - Jan 1 2013 |
ASJC Scopus subject areas
- General Arts and Humanities
- General Social Sciences