Dancing Reggaetón with Cowboy Boots

Ramón H. Rivera-Servera*

*Corresponding author for this work

Research output: Chapter in Book/Report/Conference proceedingChapter

2 Scopus citations

Abstract

In chapter, two seemingly excluding Latina/o dance venues in Phoenix, Arizona, provide a perfect excuse to explore how expressive culture has worked as a site for the development of discourses of masculinity and queerness at the U.S.-Mexico border, and how these discourses have been transformed into bodily practices and behaviors in transcultural and transnational settings that contest essentialist stereotypes about ethnicity and sexuality.

Original languageEnglish (US)
Title of host publicationTransnational Encounters
Subtitle of host publicationMusic and Performance at the U.S.-Mexico Border
PublisherOxford University Press
ISBN (Electronic)9780199918607
ISBN (Print)9780199735921
DOIs
StatePublished - Oct 28 2011

Keywords

  • Embodiment
  • Masculinity
  • Norteña
  • Performativity
  • Queerness
  • Reggaeton

ASJC Scopus subject areas

  • Arts and Humanities(all)

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  • Cite this

    Rivera-Servera, R. H. (2011). Dancing Reggaetón with Cowboy Boots. In Transnational Encounters: Music and Performance at the U.S.-Mexico Border Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199735921.003.0017