Despoiled at the source

Rebecca Zorach*

*Corresponding author for this work

Research output: Contribution to journalReview articlepeer-review

4 Scopus citations

Abstract

This article argues for the possibility of combining psychoanalytic and materialist approaches to Rennaissance visual culture. It addresses the eroticism of both figure and facture of Titian's Diana and Callisto, using Julia Kristeva's and Judith Butler's theories of the abject. It compares the positions of figures in the painting with contemporary representations of exorcism and examines the occluded associations of the goddess Diana with witchcraft and the mark of the painter with the mark of the witch. It concludes by arguing for a repressed identification between Titian's painterly subjectivity and maternal (pro)creation.

Original languageEnglish (US)
Pages (from-to)244-269
Number of pages26
JournalArt History
Volume22
Issue number2
DOIs
StatePublished - 1999

ASJC Scopus subject areas

  • Visual Arts and Performing Arts

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