Exhibiting voice/narrating migration: Performance-based curatorial practice in ¡Azúcar! The Life and Music of Celia Cruz

Ramón H. Rivera-Servera

Research output: Contribution to journalReview articlepeer-review

12 Scopus citations

Abstract

This essay offers a critical reading of the exhibition ¡Azú car! The Life and Music of Celia Cruz. Focusing on the negotiations between institutional expectations and curatorial practice, this piece analyzes performance-based curatorial strategies employed in the articulation of an alternative to the narrative of Latina/o history at the Smithsonian. The author argues for a critical engagement with performance as an affective and effective approach to the exhibition of latinidad.

Original languageEnglish (US)
Pages (from-to)131-148
Number of pages18
JournalText and Performance Quarterly
Volume29
Issue number2
DOIs
StatePublished - Apr 2009

Keywords

  • Affect
  • Celia Cruz
  • Latina/o Performance
  • Salsa
  • Smithsonian Institution

ASJC Scopus subject areas

  • Communication
  • Visual Arts and Performing Arts
  • Literature and Literary Theory

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