First as tragedy, then as parody? Future repetitions of national history in José Emilio Pacheco’s “La Catástrofe” and Hugo Hiriart’s la destrucción de todas las cosas

Alfonso Fierro*

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

Original languageEnglish (US)
Pages (from-to)40-56
Number of pages17
JournalChasqui
Volume49
Issue number2
StatePublished - Nov 2020

ASJC Scopus subject areas

  • Cultural Studies
  • Literature and Literary Theory

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