TY - JOUR
T1 - Investigation of an enameled glass mosque lamp
T2 - A 13th-14th-century mamluk example or 19th-century european version?
AU - Salvant, Johanna
AU - Schussler, Victoria
AU - McKenna, Caitlin
AU - Bruno, Lisa
AU - Ganio, Monica
AU - Walton, Marc
N1 - Funding Information:
This collaborative initiative (2013–2018) is part of NU-ACCESS’s broad portfolio of activities, made possible by generous support of the Andrew W. Mellon Foundation as well as supplemental support provided by the Materials Research Center, the Office of the Vice President for Research, the McCormick School of Engineering and Applied Science, and the Department of Materials Science and Engineering at Northwestern University. This work made use of the OMM facility and of the EPIC and SPID facilities of the NUANCE Center at Northwestern University, which has received support from the MRSEC program (NSF DMR-1121262) at the Materials Research Center, the International Institute for Nanotechnology (IIN), the Keck Foundation, and the State of Illinois, through the IIN. At the Brooklyn Museum, we thank Sarah DeSantis, Photographer and Manager of Public Imaging, for the photography of the Brooklyn Museum’s lamp. We are grateful to Dr. Laure Dussubieux, scientist at the Field Museum, Chicago, for providing us access to the Field Museum facilities to perform the LA-ICP-MS analyses.
Publisher Copyright:
© 2016 Salvant et al.
PY - 2016
Y1 - 2016
N2 - Background: In this study, an enameled glass mosque lamp in the Brooklyn Museum collection is investigated to elucidate the origin and date of production of each of its components-the body, handles, wick-holder, and foot-to establish whether the lamp was produced during the Mamluk period (13th-14th century) or is a 19th-century European creation. Results: Using X-ray fluorescence spectrometry and scanning electron microscopy with energy dispersive X-ray spectrometry (SEM-EDS), the body, handles, and wick-holder were found to exhibit identical composition. The lamp's foot, however, presents a dissimilar composition, one significantly richer in sodium, magnesium, and potassium. The matrix compositions, colorants, and opacifiers of the body's enamel decorations were characterized by SEM-EDS and Raman spectroscopy analyses and compared with Mamluk and 19th-century production. Conclusions: The lamp's body, handles, and wick-holder were produced using the same type of glass, one likely incorporating a plant ash flux typical of medieval Islamic glass. Materials composing the body's enamel decorations are consistent with Mamluk production. The foot's distinct composition indicates that it is a later addition to the object. Combining the analytical, stylistic, and historical evidences, this glass lamp can now be identified as a Mamluk example, one of few comprising an integral wick-holder. The presence of a wick-holder is discussed and connected to the small size of the lamp. Details informing understanding of the lamp's manufacture are also included. The implications of these new findings on the object's conservation treatment and display are discussed in the context of the upcoming reinstallation of the Arts of the Islamic World gallery at the Brooklyn Museum.
AB - Background: In this study, an enameled glass mosque lamp in the Brooklyn Museum collection is investigated to elucidate the origin and date of production of each of its components-the body, handles, wick-holder, and foot-to establish whether the lamp was produced during the Mamluk period (13th-14th century) or is a 19th-century European creation. Results: Using X-ray fluorescence spectrometry and scanning electron microscopy with energy dispersive X-ray spectrometry (SEM-EDS), the body, handles, and wick-holder were found to exhibit identical composition. The lamp's foot, however, presents a dissimilar composition, one significantly richer in sodium, magnesium, and potassium. The matrix compositions, colorants, and opacifiers of the body's enamel decorations were characterized by SEM-EDS and Raman spectroscopy analyses and compared with Mamluk and 19th-century production. Conclusions: The lamp's body, handles, and wick-holder were produced using the same type of glass, one likely incorporating a plant ash flux typical of medieval Islamic glass. Materials composing the body's enamel decorations are consistent with Mamluk production. The foot's distinct composition indicates that it is a later addition to the object. Combining the analytical, stylistic, and historical evidences, this glass lamp can now be identified as a Mamluk example, one of few comprising an integral wick-holder. The presence of a wick-holder is discussed and connected to the small size of the lamp. Details informing understanding of the lamp's manufacture are also included. The implications of these new findings on the object's conservation treatment and display are discussed in the context of the upcoming reinstallation of the Arts of the Islamic World gallery at the Brooklyn Museum.
KW - Enamel
KW - Islamic glass
KW - Mamluk
KW - Mosque lamp
KW - Raman spectroscopy
KW - SEM-EDS
KW - XRF
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U2 - 10.1186/s40494-016-0073-6
DO - 10.1186/s40494-016-0073-6
M3 - Article
AN - SCOPUS:84977118148
SN - 2050-7445
VL - 4
JO - Heritage Science
JF - Heritage Science
IS - 1
M1 - 5
ER -