László Moholy-Nagy’s painting materials: From substance to light

Johanna Salvant, Julie Barten, Francesca Casadio, Maria Kokkori, Federica Pozzi, Carol Stringari, Ken Sutherland, Marc Sebastian Walton

Research output: Contribution to journalArticlepeer-review


This article presents results from an extensive scientific examination of the painting materials used by László Moholy-Nagy. The artist employed modern materials, such as metals and plastics, alongside more traditional artists’ oil paint and canvas, creatively manipulating these diverse media to generate a unique visual vocabulary. This study highlights the intimate link between the material properties and the expressive content of Moholy-Nagy’s painted works.

Original languageEnglish (US)
Pages (from-to)316-320
Number of pages5
Issue number3
StatePublished - Jun 1 2017

ASJC Scopus subject areas

  • Visual Arts and Performing Arts
  • Engineering (miscellaneous)
  • Music
  • Computer Science Applications


Dive into the research topics of 'László Moholy-Nagy’s painting materials: From substance to light'. Together they form a unique fingerprint.

Cite this