“Lo here I burn”: Musical figurations and fantasies of male desire in early modern England

Linda Phyllis Austern*

*Corresponding author for this work

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

In 1867, the proper Victorian editors of a collection of “loose and humorous” seventeenth-century English broadside ballads apologized for the bawdry and sensual excess of the content by claiming that it illuminated a forgotten aspect of a bygone era. “It is well for the student to see it,” they wrote, “that he may be under no illusion as to that time; as it will be right for the student of Victorian England, two or three hundred years hence, to see productions that we would not willingly circulate now.”1 Had the good nineteenth-century philologists given even a cursory glance at any random selection of notated music from the same era, they would have realized that it was not only popular broadsides that display what they referred to rather euphemistically as “sensual feelings.”2 Far from being unwilling to circulate expressions of the erotic, the leading music printers of early modern England, from the assignees of Thomas Morley through Henry Playford and beyond, aided and abetted the mass dissemination of an astonishing array of sexually-charged material by the leading composers of art-music as well as that most versatile pornographer, Anonymous. In spite of its ubiquity, there is little that unifies this body of work. It includes the courtly Petrarchisms and text-painting I wish to thank my Graduate Research Assistants Emily Hoyler and Jesse Revenig for their assistance with preparation of the final version of this chapter, especially the music examples. The quotation comes from “The second Letter from [Lord] B[uckhurst] to Mr. E[therege],” in John Wilmot, Earl of Rochester [et al.], Poems on Several Occasions (Antwerp: n.d., [1680?]), 82.

Original languageEnglish (US)
Title of host publicationEroticism in Early Modern Music
PublisherTaylor and Francis
Pages175-202
Number of pages28
ISBN (Electronic)9781317141730
ISBN (Print)9781472443335
DOIs
StatePublished - Jan 1 2016

ASJC Scopus subject areas

  • General Arts and Humanities

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