Abstract
A number of important issues in the construction of cognitive models of music listening are explored. These include the essential starting-point of the model, the kinds of abstractions a model will make, and the features of the musical experience which a model preserves and those which it obscures. A number of approaches to modeling music listening are surveyed; these include linguistically-oriented models, those based on schemata, and simulation models, including those embodied in computer programs. Three main issues concerning the development and use of a model of music listening are considered: choice of a model's formalism, choosing which elements of cognition to include in a model, and ways in which a model may be evaluated. Special attention is given to the questions raised in modeling musical processes as computer programs. A computer model of melodic learning is described and evaluated as an example of how these considerations may be addressed.
Original language | English (US) |
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Pages (from-to) | 295-310 |
Number of pages | 16 |
Journal | Contemporary Music Review |
Volume | 4 |
Issue number | 1 |
DOIs | |
State | Published - Jan 1 1989 |
Keywords
- Music psychology
- cognitive modeling
- music listening
- production systems
- schema
ASJC Scopus subject areas
- Music