Neo-Ottoman Cool: Turkish Popular Culture in the Arab Public Sphere

Marwan M. Kraidy, Omar Al-Ghazzi

Research output: Contribution to journalArticlepeer-review

35 Scopus citations

Abstract

In the past decade, Turkish television drama has enjoyed popular success in the Arab world, fueling wide-ranging controversies in the pan-Arab public sphere. Such popularity is at first sight puzzling. After all, Arabs lived under Ottoman rule for 400 years, and for most of the 20th century Turkey's foreign policy neglected Arab interests. Why, then, would Turkish drama be popular with Arab audiences, especially at a time of unprecedented vibrancy in Arab cultural production? This article grapples with that question via a systematic analysis of pan-Arab discourse about Turkish popular culture, concluding that some Turkish dramas conjure up an accessible modernity while others enact a counter-hegemonic narrative that puts Middle Easterners in the role of heroes. The rise of Turkish television drama in the Arab public sphere offers insights into the geopolitical underpinnings and geocultural consequences of transnational media flows.

Original languageEnglish (US)
Pages (from-to)17-29
Number of pages13
JournalPopular Communication
Volume11
Issue number1
DOIs
StatePublished - 2013
Externally publishedYes

ASJC Scopus subject areas

  • Communication

Fingerprint Dive into the research topics of 'Neo-Ottoman Cool: Turkish Popular Culture in the Arab Public Sphere'. Together they form a unique fingerprint.

Cite this