TY - JOUR
T1 - Neural entrainment to the rhythmic structure of music
AU - Tierney, Adam
AU - Kraus, Nina
N1 - Publisher Copyright:
© 2014 Massachusetts Institute of Technology.
PY - 2014/3/1
Y1 - 2014/3/1
N2 - The neural resonance theory of musical meter explains musical beat tracking as the result of entrainment of neural oscillations to the beat frequency and its higher harmonics. This theory has gained empirical support from experiments using simple, abstract stimuli. However, to date there has been no empirical evidence for a role of neural entrainment in the perception of the beat of ecologically valid music. Here we presented participants with a single pop song with a superimposed bassoon sound. This stimulus was either lined up with the beat of the music or shifted away from the beat by 25% of the average interbeat interval. Both conditions elicited a neural response at the beat frequency. However, although the on-thebeat condition elicited a clear response at the first harmonic of the beat, this frequency was absent in the neural response to the off-the-beat condition. These results support a role for neural entrainment in tracking the metrical structure of real music and show that neural meter tracking can be disrupted by the presentation of contradictory rhythmic cues.
AB - The neural resonance theory of musical meter explains musical beat tracking as the result of entrainment of neural oscillations to the beat frequency and its higher harmonics. This theory has gained empirical support from experiments using simple, abstract stimuli. However, to date there has been no empirical evidence for a role of neural entrainment in the perception of the beat of ecologically valid music. Here we presented participants with a single pop song with a superimposed bassoon sound. This stimulus was either lined up with the beat of the music or shifted away from the beat by 25% of the average interbeat interval. Both conditions elicited a neural response at the beat frequency. However, although the on-thebeat condition elicited a clear response at the first harmonic of the beat, this frequency was absent in the neural response to the off-the-beat condition. These results support a role for neural entrainment in tracking the metrical structure of real music and show that neural meter tracking can be disrupted by the presentation of contradictory rhythmic cues.
UR - http://www.scopus.com/inward/record.url?scp=84913532391&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=84913532391&partnerID=8YFLogxK
U2 - 10.1162/jocn_a_00704
DO - 10.1162/jocn_a_00704
M3 - Article
C2 - 25170794
AN - SCOPUS:84913532391
SN - 0898-929X
VL - 27
SP - 400
EP - 408
JO - Journal of Cognitive Neuroscience
JF - Journal of Cognitive Neuroscience
IS - 2
ER -