TY - JOUR
T1 - On-line perception of Mandarin Tones 2 and 3
T2 - Evidence from eye movements
AU - Shen, Jing
AU - Deutsch, Diana
AU - Rayner, Keith
N1 - Funding Information:
We thank Jinmian Yang, Mackenzie Glaholt, Liz Schotter, Bernhard Angele, Tim Slattery, David Huber, and Don MacLeod for their assistance and helpful comments on the paper. The research was partially supported by an Atkinson Endowment.
PY - 2013/5
Y1 - 2013/5
N2 - Using the visual world paradigm, the present study investigated on-line processing of fine-grained pitch information prior to lexical access in a tone language; specifically how lexical tone perception of Mandarin Tones 2 and 3 was influenced by the pitch height of the tone at onset, turning point, and offset. Native speakers of Mandarin listened to manipulated tone tokens and selected the corresponding word from four visually presented words (objects in Experiment 1 and characters in Experiment 2) while their eye movements were monitored. The results showed that 87 of ultimate tone judgments were made according to offset pitch height. Tokens with high offset pitch were identified as Tone 2, and low offset pitch as Tone 3. A low turning point pitch served as a pivotal cue for Tone 3, and prompted more eye fixations on Tone 3 items, until the offset pitch directed significantly more fixations to the final tone choice. The findings support the view that lexical tone perception is an incremental process, in which pitch height at critical points serves as an important cue.
AB - Using the visual world paradigm, the present study investigated on-line processing of fine-grained pitch information prior to lexical access in a tone language; specifically how lexical tone perception of Mandarin Tones 2 and 3 was influenced by the pitch height of the tone at onset, turning point, and offset. Native speakers of Mandarin listened to manipulated tone tokens and selected the corresponding word from four visually presented words (objects in Experiment 1 and characters in Experiment 2) while their eye movements were monitored. The results showed that 87 of ultimate tone judgments were made according to offset pitch height. Tokens with high offset pitch were identified as Tone 2, and low offset pitch as Tone 3. A low turning point pitch served as a pivotal cue for Tone 3, and prompted more eye fixations on Tone 3 items, until the offset pitch directed significantly more fixations to the final tone choice. The findings support the view that lexical tone perception is an incremental process, in which pitch height at critical points serves as an important cue.
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U2 - 10.1121/1.4795775
DO - 10.1121/1.4795775
M3 - Article
C2 - 23654405
AN - SCOPUS:84877614103
SN - 0001-4966
VL - 133
SP - 3016
EP - 3029
JO - Journal of the Acoustical Society of America
JF - Journal of the Acoustical Society of America
IS - 5
ER -