Relationships between behavior, brainstem and cortical encoding of seen and heard speech in musicians and non-musicians

Gabriella Musacchia*, Dana Strait, Nina Kraus

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

183 Scopus citations

Abstract

Musicians have a variety of perceptual and cortical specializations compared to non-musicians. Recent studies have shown that potentials evoked from primarily brainstem structures are enhanced in musicians, compared to non-musicians. Specifically, musicians have more robust representations of pitch periodicity and faster neural timing to sound onset when listening to sounds or both listening to and viewing a speaker. However, it is not known whether musician-related enhancements at the subcortical level are correlated with specializations in the cortex. Does musical training shape the auditory system in a coordinated manner or in disparate ways at cortical and subcortical levels? To answer this question, we recorded simultaneous brainstem and cortical evoked responses in musician and non-musician subjects. Brainstem response periodicity was related to early cortical response timing across all subjects, and this relationship was stronger in musicians. Peaks of the brainstem response evoked by sound onset and timbre cues were also related to cortical timing. Neurophysiological measures at both levels correlated with musical skill scores across all subjects. In addition, brainstem and cortical measures correlated with the age musicians began their training and the years of musical practice. Taken together, these data imply that neural representations of pitch, timing and timbre cues and cortical response timing are shaped in a coordinated manner, and indicate corticofugal modulation of subcortical afferent circuitry.

Original languageEnglish (US)
Pages (from-to)34-42
Number of pages9
JournalHearing research
Volume241
Issue number1-2
DOIs
StatePublished - Jul 2008

Funding

NSF 0544846 and NIH R01 DC01510 supported this work. The authors wish to thank Scott Lipscomb, Ph.D. for his musical background, Matthew Fitzgerald, Ph.D. and Trent Nicol for their critical commentary, and the subjects who participated in this experiment.

Keywords

  • ABR
  • Auditory
  • FFR
  • Language
  • Multisensory
  • Music
  • Plasticity
  • Visual

ASJC Scopus subject areas

  • Sensory Systems

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