Rhythms of Relation: Black Popular Music and Mobile Technologies

Alexander G. Weheliye, Sumanth Gopinath (Editor), Jason Stanyek (Editor)

Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

Abstract

This chapter examines the relation between African-American popular music, particularly rhythm and blues (R&B), and mobile technologies. It reviews musical recordings released between 1999 and 2010 and highlights the extensive and intensive interdependence of contemporary black popular music and mobile technologies. It suggests that contemporary black popular music not only presents sonic redactions of techno-ecologies, but also, more important, their transposition into the realms of sensation via rhythm. Overall, the chapter aims to show both how contemporary R&B reworks mobile media and how this impacts current definitions of communication technologies.
Original languageEnglish
Title of host publicationThe Oxford Handbook of Mobile Music Studies
PublisherOxford University Press
Volume2
DOIs
StatePublished - Mar 2014

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