This article considers how the essayistic style of William Hazlitt's printed texts produces, in its form, a critique of what it considers conservatism in speech and its uncritical reception. Situating Hazlitt in a longer history of thought that considers language a form of practical activity, I argue that the conversational character of Hazlitt's writing is calculated not to resemble speech, but rather to take aim at speech's false spontaneity.
ASJC Scopus subject areas
- Gender Studies
- Cultural Studies
- Arts and Humanities(all)
- Sociology and Political Science