The Cezanne Effect in Malevich’s Suprematism

Maria Kokkori*

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

Abstract

This essay focuses on Paul Cezanne’s painting Madame Cezanne in a Yellow Chair, situating it within Kazimir Malevich’s theory and practices, and tracing how this work became emblematic in Malevich’s teachings on modern art. Cezanne’s painting represents two intersecting stories: one pertaining to the introduction of modernism in Russia, and the other relating to Malevich’s theory of the additional element in painting. Ultimately, the essay aims to show how this particular work brings these two narratives together, shedding light on the role of form, color, and texture in Cezanne’s work and their influence on Malevich’s Suprematism.

Original languageEnglish (US)
Pages (from-to)105-125
Number of pages21
JournalExperiment
Volume29
Issue number1
DOIs
StatePublished - 2023

Keywords

  • art
  • Cezanne’s Madame Cezanne in a Yellow Chair –Ginkhuk
  • Cezannism
  • Kazimir Malevich
  • Paul Cezanne
  • science
  • the additional element in painting
  • The Golden Fleece (Zolotoe runo) journal and exhibition
  • Unovis

ASJC Scopus subject areas

  • Cultural Studies
  • Visual Arts and Performing Arts

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