Abstract
Ada Jones and Len Spencer were the stars of many musical comedies released by a modern media industry during the first decade of the twentieth century. The reason you probably haven’t heard of these media texts is that they were not performed onstage or produced by the film industry. Jones and Spencer were stars of the phonograph industry, and their records are some of the earliest media texts to combine a narrative with musical numbers and to juxtapose dramatic dialogue and singing. The Jones and Spencer records are a missing link between the nineteenth-century stage and the cinema, and so they recast the history and theory of the modern musical. At the same time, they are an archive of sonic texts that allow us to hear the Hollywood musical in a new way and to listen to musical performance styles both beyond and before the cinema.
Original language | English (US) |
---|---|
Title of host publication | The Oxford Handbook of Cinematic Listening |
Publisher | Oxford University Press |
Pages | 68-89 |
Number of pages | 22 |
ISBN (Electronic) | 9780190853617 |
DOIs | |
State | Published - Jan 1 2021 |
Keywords
- Ethnicity
- Musical
- Performance
- Phonography
- Sound
- Vaudeville
- Voice
ASJC Scopus subject areas
- Arts and Humanities(all)