La désagrégation du genre dans « art » et le dieu du carnage

Translated title of the contribution: The disaggregation of gender in "Art" and Dieu du carnage

Lam-Thao Nguyen*

*Corresponding author for this work

Research output: Contribution to journalReview articlepeer-review

Abstract

This article examines the sets for "Art" and Dieu du carnage by Yasmina Reza. It examines the roles of objects onstage and analyzes the relationship that the protagonists have with them. It shows that male and female characters who compete in debates throughout these pieces end up resembling each other and blending together. Although male superiority seems to prevail in "Art", with the fall of the curtain at the end of Dieu du carnage, the characters become agendered.

Translated title of the contributionThe disaggregation of gender in "Art" and Dieu du carnage
Original languageFrench
Pages (from-to)273-292
Number of pages20
JournalEuropean Drama and Performance Studies
Issue number12
DOIs
StatePublished - Jan 1 2019

ASJC Scopus subject areas

  • Visual Arts and Performing Arts

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