When the Devil Knocks analyzes the Congo tradition as a dynamic cultural, ritual, and identity performance that tells an important story about a Black cultural past while continuing to create itself in a Black cultural present. This book examines “Congo” within the history of twentieth-century Panamanian etnia negra culture, politics, and representation, including its circulation within the political economy of contemporary tourism.
|Publisher||Ohio State University Press|
|State||Published - Jan 7 2015|
|Name||Black Performance and Cultural Criticism|